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« on: August 14, 2011, 08:27:13 AM »
Alrighty... From what I've seen, you have the beginnings of a style, so keep at it. Seriously, there's a spark of talent there, so you should take pride in it and work on building it. Artists aren't made in a single day; they take years and years to develop a style and get to a point where they're considered "good" (as in, publishing good).
Your linework in some images could use some tightening up; I notice that you use a single continuous line. My advice for that? Don't. Most artists don't use a single continuous line because their hands are shaky and a single line will pick up that shakiness. Most artists will sketch a solid line; meaning they draw increments at a time, keeping it tight and making it look like a single, continuous line. This may take some practice to hammer down.
Examining your Photoshop image ("New Model P"), I can tell you that it's a step in the right direction. Photoshop skills also take a while to develop. They can be learned, so don't let it discourage you. I'm still learning coloring techniques in Photoshop and I've been working digitally for about four or five years. You got a nice lightsource going on in that image, it will just take some fleshing out to give your image depth. Best way to learn that is to observe how shadows play on objects. Using models as reference (that includes setting up action figures under a desk lamp or in front of a flashlight) will help with that.
When coloring in Photoshop, to keep your linework layer from being messed with by the coloring, set the Blending Mode (in the Layers palette, where the drop-down menu says "Normal") to "Multiply." Then, put all of your color layers beneath your linework layer. Keep your linework layer as your topmost layer.
Don't forget to just simply play around in Photoshop. Oftentimes, the best methods to achieve a specific effect are found from just fiddling around.
I'm not going to go into the same depth as everyone else has regarding your attitude toward your art; it's been said already. However, I will agree that you should take more pride in your work. You should treat each and every one of your images as if they were to be portfolio pieces. The more pride you take in your work, the more it will be reflected in your art. And don't feel bad about your current level; remember that we all had to start somewhere.
I also suggest to archive all of your images, so that way you can look back on them and see how you progress. I currently have at least fifty sketchbooks from back when I was still in high school (graduated 12-13 years ago), and I glance through them every now and then and compare the images in them to what I have lurking in my sketchbooks and portfolio now. It's interesting to track the progress that way.